Oil Paintings 3 

 Parisian Street Scene, towards Eiffel Tower, oil on board, signed Burnett. c1950. Cityscape.

Oil on board, signed. Dimensions : Frame : 247mm x 299mm x 16mm. Image : 192mm x 243mm. Weight : 0.300kg net. Condition : Good.

£150.00  Shipping : UK : Free Delivery. Europe : £15.00. World : £25.00. 

Parisian Street Scene, towards Eiffel Tower, oil on board, signed Burnett. c1950.

Imperial : Frame : 9-3/4" x  11-3/4" x 5/8". Image : 7-1/2" x 9-1/2".

Condition/Notes : Good. The oil on board impressionist study of a Paris street scene is in good condition with good colour and no paint loss. The scene depicts a view towards the Eiffel Tower with figures in the street and colourful displays in the shops; a scene typical of the work of this prolific American artist who lived in Paris in the early 20th C. The painting is signed Burnett in the lower rh corner, in red, in her usual style. Displayed within a light Bakelite style mottled frame with a gilt inner edging. Secured by old panel pins and sealed with old brittle self-adhesive framing tape; lightly speckled with white paint. Label attached top lh corner Caroline Burnett USA/France 19th/20th C. Rings and cord attached.

Portrait of a woman, oil on Daler board, unsigned. Joan Fuller. Unframed. 1971. 20thC British Outsider Art.

Oil on board portrait. Dimensions : Board : 457mm x 357mm x 3mm. Weight : 0.280kg. Condition : Good.

£100.00  Shipping : UK : Free Delivery. Europe : £15.00. World : £25.00. 

Portrait of a woman, oil on Daler board 18 x 14. Unsigned but known to be a work of Joan Fuller. 1971.

20thC British Outsider Art.

The study in oil is in good condition with good colour. There are a few light scuffs in places to the near edges of the board. 

Daler Board label attached verso with full details, indicating 18 x 14 Fine Grain for this board. No other script. 

Please view the images above.

Portrait of a Young Woman, oil on paper, unsigned. Joan Fuller, c1971. Unframed. 20thC British Outsider Art. 

Portrait, oil on paper. Dimensions : Paper : 460mm x 382mm. Weight : 0.010kg. Condition : Good.

£100.00 Shipping : UK : Free Delivery. Europe : £10.00. World : £15.00

Portrait of a young woman, oil on art paper. Unsigned but know to be a work by Joan Fuller, c1971.

20thC British Outsider Art.

The portrait is in good condition with good colour; there is a small 10mm wide cut to the paper base to the right of the portrait but this is not noticeable - please see the detailed image above. 

There is no script verso. 

Please view the images above.

Portrait of an Indian Lady, oil on board, unsigned. c1970. South Asian Art.

20th C Indian School, oil on board. Dimensions : 450mm x 350mm. Weight : 0.520kg net. Condition : Good.

£120.00  Shipping : UK : Free Delivery. Europe : £30.00. World : £40.00.

Portrait of an Indian Lady, 20th Century Indian School, oil on Daler board.

Condition/Notes : The oil painting is in good condition, impasto, impressionist portrait study of an Indian lady against an  intentionally sombre back-drop (as a relief to the intense light of out-doors). The painting is unfortunately unsigned. The painting was executed on imported Daler board - hence the old backing label. There is an upward bowing to the lower quarter of the board probably caused by atmospheric/humidity changes between India and UK but this can be corrected by framing. The painting has  been very lightly varnished. The back of the board has the original Daler label and the upper lh corner has been torn away. An interesting study which captures the true spirit of India.

Profile Portrait Asian Girl Eating Corn, oil on board, attributed to A.W. Hannaford. c1940. S.E.  Asia.

Oil on board, unsigned. Dimensions : Frame : 600mm x 499mm x 28mm. Image : 430mm x 330mm. Weight : 2.800kg net. Condition : Good.

£150.00  Shipping : UK : Free Delivery. Europe : £35.00. World : £45.00. Unframed : £15.00/£25.00. 

Profile Portrait of Asian Girl Eating Corn, oil on board, unsigned but attributed to A.W. Hannaford. c1940. Framed and glazed.

Imperial : Frame : 23-1/2" x 19-1/2" x 1". Image : 16-3/4" x 13".

Condition/Notes : Good. The oil on wooden board base is in good condition with good colour and no marking or damage; close examination reveals a few light surface abrasions in the arm area about 20-30mm above the edge of the lower mount but they are not noticeable in normal viewing. The vertical grain of the wooden support is also visible at obtuse angles in certain light conditions but again this is not a concern in normal viewing conditions. The study depicts a young Asian girl in profile looking pensively over a balcony with a grilled, partly eaten, corn on the cob in her hand; considering the date of the painting the subject could be WWII related but no information available at this time. Careful examination cannot find any signature or lettering - the attribution is currently based on the word of previous owner and further information will be added if found. The painting is displayed within a dark purple fabric lined mount which complements the work and is in good condition. The heavy ebonized wooden frame with gilt inner border and gilt outer  border is in sturdy condition but with some chips, scratching  and wear to the gilt on the edges. Hardboard backing secured by small points and sealed with gummed framing tape. Framer's stamp on frame lower edge and on upper edge of backing board "The Peppin Brown Gallery Gallery Picture Frames The Old School House High Street Whittlesford CB24NF Telephone...Fax..." (Peppin Brown Gallery was set up in 1987 by Darryl Nantais and renowned for restoration and framing). No other visible script. Screw-eyes and wire attached.  

An interesting painting which will benefit from further research.

Psychotic Regression, oil on board, unsigned (R. Fuller). c1960. Unframed. 20thC British Outsider Art.

Oil on hardboard, unsigned. Dimensions : Board : 613mm x 610mm x 4mm. Weight : 1.400kg. Condition : Fair.

£350.00  Shipping : UK : Free Delivery. Europe : £25.00. World : £35.00.

Psychotic Regression, oil on hardboard, unsigned. 20thC Outsider Art,

The oil on board study of an extreme psychotic experience captured over several days, revisiting regression, is an interesting work.

The painting is in fair condition with good colour but with some surface marking which can be removed with careful cleaning. Scratch mark to the face  of the near figure aggressively implemented during execution of the work. 

Board in fair condition but with wear and damage to lower lh corner and lower rh corner which can be concealed by framing. Verso with white paint to edges, blue-yellow-green oil paint brush strokes to lower centre, various crayon and chalk figures/script in places. 

Unsigned but known to be the work of Roger Fuller c1960.

Please contact for any enquiries.

Remembrance Day 11.11.1929, oil on board, signed G. Franquin. Original frame. Genre.

Oil on board, signed G. Franquin. Framed. Dimensions : Frame : 418mm x 265mm x 32mm. Image : 358mm x 206mm. Weight : 1.280kg net. Condition : Quite good.

£80.00  Shipping : UK : Free Delivery. Europe : £15.00. World : £25.00.

Remembrance Day 11.11.1929, oil on board, signed G. Franquin. 1929. Framed.

Condition/Notes : The oil on panel (wooden board) painting depicts a night view of a Continental War Memorial in a park landscape with a solitary figure. The painting is sombre in tone with the focus on the illuminated memorial in the distance and the rear view of a statue to the left of the figure. The central illuminated memorial is depicted in impasto style with the remaining work executed in standard application. The foreground is clay-like in tone and structure and the artist's signature is in the lower rh corner with the date 11.11.1929 below. There is a certain amount of craqueleur in the central region especially in the trees and to the left of the figure. There is a vertical light surface crack in the base board running for 100mm from the top edge of the painting to the rh corner of the large tree but this is not noticeable in normal viewing. The painting is displayed in a gilt moulded frame which is quite sturdy but with chips and scratching in places. The back of the frame is plain wood and the 4mm thick wooden panel base is secured by 7 old nails. There is a surface crack running from the top centre edge of the panel 240mm down the centre of the panel ending about 80mm from the rh edge. The back appears to have previously been sealed with framing tape and a central backing sheet which have been removed at some time. This is an interesting painting and original frame which will benefit from identification of the location.

River landscape, oil on canvas laid to board, signed Lamiaa, c1980. Framed. East Asian, Asian, Contemporary Art. 

Oil on canvas, laid to board. Signed. Dimensions : Frame : 308mm x 360mm x 35mm. Image : 190mm x 240mm. Weight : 0.620kg. Condition : Good.

£75.00  Shipping : UK : Free Delivery. Europe : £20.00. World : £30.00. Unframed : £10.00/£15.00. 

River landscape, oil on canvas, laid to board, signed Lamiaa, c1980. Framed.

The oil on canvas study depicts a river landscape with distant fields and mountains. The painting is signed Lamiaa in pale yellow paint in the lower rh corner. Good condition with good colour and no damage. 

The painting is displayed within a two tiered gilt decorative wooden frame with inner black felt lining which complements the overall tone of the study. The painting, laid to board, is secured by staples and a nail to the inner wooden frame which is nailed to the outer primary frame. The backing board is faintly scratch signed "LAMY" to the upper centre edge - presumably a shortened version of Lamiaa. No other visible script. Remnants of an old label bearing printed /107A attached to outer centre edge of primary frame. 

The artist has been provisionally listed in the East Asian Category (East Asian origin).

Please view the images above.

Contact for any enquiries.

Rosenlaui Glacier and Wetterhorn, oil on canvas, signed F. Sommer (Ferdinand Sommer). c1860. Landscape. 

Oil on canvas, signed F. Sommer. Unframed. Dimensions : 325mm x 410mm x 18mm. Weight : 0.650kg net. Condition : Quite good.

£450.00  Shipping : UK : Free Delivery. Europe : £15.00. World : £25.00. 

Rosenlaui Glacier and Wetterhorn, oil on canvas, signed F. Sommer. Unframed. c1860.

Condition/Notes : The oil on canvas landscape study of the Rosenlaui Glacier and Wetterhorn is in quite good condition although it will benefit from a general clean. The colours are vibrant and there is no paint loss in the main body of the work although there is minor loss along the lower edge especially in the lh corner but this can be concealed in framing. The painting depicts the classic view of the Bernese Alps which is a favourite of artists over the years. Ferdinand Sommer (1822-1901) was a well-known 19th C Swiss artist living in Thun in the canton of Berne and painted under several aliases (Joh. Andreas Ferdinand Sommer, Ferdinand Sommer-Collier, Friedrich Sommer-Collier, and Joh. Andreas Sommer-Collier). He is famous for having taken the young Ferdinand Hodler (1853-1918) as an apprentice painter in Thun and introduced him to the landscape genre from which he developed his characteristic style. Sommer remained true to his love of his mother country and produced many spectacular Swiss mountain scenes of which this work is typical. He has signed the painting in the lower rh corner in his usual manner. The painting is nailed to the original stretcher and the burlap is fraying at the edges. The painting will certainly benefit from framing and deserves to be displayed in a prime location as an example of the work of Ferdinand Sommer c1860.

St. Tropez and La Tour d'Aigues Street Scenes, a pair, oils on board, signed G.C. Barlow. c1960. 20thC Continental School. 20thC British.

A pair, oils on board, signed, c1960. Dimensions : Frame : 210mm x 263mm x 30mm. Images : 141mm x 194mm. Weight (pair) : 0.600kg net. Condition : Good.

£400.00  Shipping : UK : Free Delivery. Europe : £25.00. World : £35.00.

St. Tropez and La Tour d'Aigues, Provence,  Street Scenes, a pair, oils on board, signed G.C. Barlow. c1960. Framed.

Condition/Notes :

1. St. Tropez : Good. The impressionist study of a street scene St. Tropez, oil on Reeves art board,  is in good condition with good colour and no damage or paint loss. The painting is signed in the lower lh corner in the artist's usual style and undated (as usual with this artist). The study is displayed in a decorative gilt frame which is in good condition. Board secured by old rusty panel pins, sealed with gummed brown paper - "Reeves Oil Sketching Boards" can be seen through the dust-sheet. Artist's label attached "G.C. Barlow, F.I.B.D. Landscape Artist Exhibitor - Paris Salon, London and Provincial Galleries. Title "St. Tropez", Studio : Town Head Kettlewell, Shop : Barlow Galleries 15 Wells Road Ilkley Tel. 2442". Studio label attached top lh corner "C25177S6/12/0 Gordon Clifford Barlow (191302005)". Hanging cord attached. 

2.  La Tour d'Aigues. Provence. Good. The impressionist study of a street scene La Tour d'Aigues Provence, oil on Daler art board, is in good condition with good colour and no damage or paint loss. The scene depicts a riverside street scene with figures and blossoming trees against the old buildings. The painting is signed in the lower lh corner in the artist's usual style and likewise undated. The study is displayed in a matching gilt decorative frame which is in good condition. Board secured and sealed   in similar manner to the pair; Daler board visible through the dust-sheet. The same artist's label attached to centre with title La Tour d'Aigues. Provence in handscript. Screw-eyes and cord attached. 

An attractive pair of oils in his Southern France series typical of the work of this listed British artist.

Staithes Harbour, North Yorkshire, oil on board, signed and titled Helen Wilkinson, Staithes, verso, c1990. Framed. Maritime.

Oil on board study of Staithes. Dimensions : Frame : 343mm x 343mm x 13mm. Image : 250mm x 250mm. Weight : 0.840kg. Condition : Very Good.

£200.00  Shipping : UK : Free Delivery. Europe : £25.00. World : £35.00.

A study of Staithes Harbour, North Yorkshire, oil on board, signed and titled Helen Wilkinson, Staithes, verso. Framed. c1990.

The oil on hardboard study is in very good condition with good strong colours and no marking or damage. The eye is drawn by the two blue cobles moored in the lower right corner, registration numbers WY31 (Spindrift, Potter design,1981 Whitby) and WY32 (Jackie McKay, Potter design,1988 Anglesey) and then above to the houses along the harbour wall and out into the North Sea. 

The painting is displayed within a cream coloured mount which is in good condition. The black contemporary frame is in very good condition with very light scuffing to outer corners. MDF backing board secured by arrow points and sealed with framing tape. Artist's label attached lowe rh corner inscribed "Helen Wilkinson Staithes £40." Hanging cord attached. Ready to display. 

A very colourful and vibrant work offering an alternative late 20thC Impressionist study of this much loved fishing port. 

Please view the images above.

Please contact for any enquiries.

Steamer off Bempton Cliffs near Flamborough in rough seas, oil on card, unsigned but attributed to Aubrey Ramus, c1930. Framed. Maritime.

Oil on card, maritime study, unsigned. Dimensions : Frame : 493mm x 695mm x 26mm. Image : 278mm x 475mm. Weight : 3.000kg. Condition : Good.

£300.00  Shipping : UK : Free Delivery. Europe : £40.00. World : £50.00. Unframed : £20.00/£30.00.

A steamer off Bempton Cliffs near Flamborough North Yorkshire in rough seas. Oil on card, unsigned but attributed to Aubrey Ramus, c1930. Framed.

Aubrey Ramus is one of about 11 pseudonyms used by the prolific British artist Francis E. Jamieson (1895-1930) (fl.1900-30) known for his Scottish landscapes and maritime studies in both oil and watercolour. 

The oil on card maritime landscape study is in good condition with good colours and no damage or marking. The scene depicts a steamer against a wind scattered sky and gulls flying around the cliffs. There is no sign of a signature and the frame has been opened to confirm this; no script verso. 

The attribution is based on the style and subject of the painting, in particular the sky and colours of rocks and seas with a smoking stack on the distant ship which can be seen in several of his maritime works. The popularity of "Jamieson" remains strong today and his paintings are in great demand. The image of steamships and sailing ships are painted with impressionist brushstrokes and impart a sense movement and drama as in this painting.

He usually signed works but there are several known unsigned works similarly attributed. 

The painting is displayed within a gilt mount board which is in good condition.The heavy gilt wooden frame is in good structural condition but with small scuffs and chips in places. Original cardboard backing board secured by nails and points and sealed with full Kraft sheet sealed with gummed framing tape. Hanging chain attached to old screw-eyes.

Please view the images or request more images.

Steamship at anchor discharging to lighter, oil on board, signed monogram SDI (DY). c1920. Maritime. 

Oil on board, signed monogram. Dimensions : Frame : 366mm x 300mm x 33mm. Image : 250mm x 185mm. Weight : 0.620kg net. Condition : Very good.

£300.00  Shipping : UK : Free Delivery. Europe : £20.00. World : £30.00. Unframed : £10.00/£20.00.

Steamship at anchor discharging to lighter, oil on George Rowney & Co., Birchmore board, signed monogram SDI or possibly DY or YD. c1920. Framed.

Condition/Notes : Very good. The oil on board is in very good condition with good colour, no paint loss and no marking or damage. The painting depicts a coastal steamship at anchor in an estuary discharging cargo to an adjacent lighter with a nearby buoy and a distant lighthouse. The sky is overcast and a single star is shining through the clouds as dusk approaches. The artist has created a romantic scene with the turn of the century steamer turning her engines, as unloading is nearly completed, in preparation for departure. The artist has signed in the lower rh corner in monogram - SDI,DY or YD - as yet unidentified. The painting has been lightly varnished. The base is a George Rowney & Co. Birchmore board size 11-1/2 x 9 which by company records dates it at pre-1924 at which dated the company became George Rowney & Co. Ltd. The plain wooden frame is quite modern indicating that the painting has been reframed in recent times with modern points securing the board. Rings and cord attached. Label attached with 16624 in handscript. An interesting and pleasing study which will benefit from identification of the artist's monogram.

Still-Life study of a Lemon, oil on board, unsigned (Joan Fuller) c1970. Unframed. 20thC British Outsider Art. Still-Life.

Oil on hardboard, unsigned, unframed. Dimensions: Board : 267mm x 382mm x 4mm. Weight : 0.370kg. Condition : Quite good.

£75.00  Shipping : UK : Free Delivery. Europe : £12.00. World : £20.00.

Still-Life study of a Lemon, oil on hardboard, unsigned but known to be work of Joan Fuller c1970. Unframed.

20thC British Outsider Art.

The still-life study of a lemon on hardboard is in quite good condition with good colour; light marking in places to the white base and crease to the upper lh corner of the board. No signature. White wash verso with no script. 

Please view the images above and below. 

Contact for any enquiries.

Still-life study of Coleus in Pot, oil on board, signed verso RB Fuller September 1976. Framed. 20thC British Outsider Art. Still-Life.

Oil on Daler Board, signed and dated verso. Dimensions : Frame : 271mm x 220mm x 16mm. Image : 252mm x 200mm. Weight : 0.200kg. Condition : Good.

£350.00  Shipping : UK : Free Delivery. Europe : £20.00. World : £25.00. Unframed : £10.00/£15.00.

Still-life study of a Coleus plant in Flower, oil on Daler Board (Aler) (10 x 8) Fine Grain, signed and dated verso RB Fuller September 1976.

The oil painting is in good condition with good strong colours and no damage or marking. Please note that the background in the images is very slightly bluer in colour than the actual painting. 

The painting is displayed in a black and gilt light softwood frame which is in quite good condition. 

The Daler board is secured by 4 nails. The artist's signature and date is in blue Biro in the upper edge of the board. Daler Board label is secured to the centre. WH Smith price label attached upper rh corner. Cord attached to 2 drawing pins. 

Still-life study of fruit and wine, signed monogram I.A.F. 1904. Still-Life.

Oil on canvas, still-life study. Signed I.A.F. dated 1904. Dimensions : Frame : 570mm x 372mm x 25mm. Image : 495mm x 298mm. Weight : 0.925kg net. Condition : Quite good.

£80.00  Shipping : UK : Free Delivery. Europe : £30.00. World : £40.00. 

Still-life study of fruit and a bottle of wine, oil on canvas, signed with monogram I.A.F. and dated 1904 to the lh side of the green apple. 

Condition/Notes : The oil painting depicts a collection of fruit around a bottle of wine set on a wooden table with a carved back-board. The painting has been signed to the lh side of the green apple with a monogram IAF and dated 1904 below. The detail of the carved back-board stands out in the study and imparts a depth to the scene. There are a few small areas where the paint has been scratched - to the lh side of the knife handle,  between the first and second fruit, at the frame edge above the second fruit and above the bananas. Apart from these marks there are no major defects. The canvas is quite taut. The frame does not appear to be the original as the stretcher is much older. The back of the frame is plain wood and the mitres are pinned by modern style angle staples. The stretcher is made from older wood with tension wedges fitted. The canvas is nailed to the stretcher. There is faded black ink print on the canvas but only "London W" can be made out at this time. Screw eyes and cord are fitted. This is an interesting work which will benefit from identification of the artist I.A.F.  

Still-life study of fruit on a table, oil on panel, signed J. Beveridge, 1917. Still-Life.

Oil on panel. signed J. Beveridge, 1917. Dimensions : Frame : 302mm x 256mm x 18mm. Image : 262mm x 210mm. Weight : 0.370kg net. Condition : Quite good.

£50.00  Shipping : UK : Free Delivery. Europe : £12.00. World : £18.00. 

Still-life study of fruit on a table, oil on panel, signed J. Beveridge (J.A. or A.J. Beveridge), dated 1917. Framed.

Condition/Notes : The oil painting on panel is in quite good/fair condition with some light abrasive marks in places but which do not  detract from the composition. The fruit and leaves are arranged in traditional manner and set against a passive background. The overall painting would benefit from a light clean. The painting is signed by the artist in the lower lh corner and dated 1917. Signature appears to be J. Beveridge but the J appears to be a combination of J over A thus JA or AJ (see image below).

The basic wooden frame is in reasonable condition with some light scuffing and scratching to the edges and some small losses. Also, the lower rh mitre joint is detached and loose - this can be rejoined or the frame replaced with a suitable new frame which can be reduced in width by 5mm to conceal a 9mm long vertical paint loss on the lh edge of the painting to the upper lh of the upper left side leaf. The back of the frame is plain wood and there are remnants of an old backing sheet still attached in places. The most interesting aspect of this frame is the base panel (support) which is part of an old advertising board which has a printed sheet attached advertising "Royal Sovereign" British Make HB pencils and the Royal seal of approval displayed at the side. The panel is attached to the frame with old headless nails typical of this era. Rings and cord attached.

Still-Life study of Michaelmas Daisies in Bowl, impasto oil on canvas, signed Alice, c1980. 20thC British School. Still-Life.

Oil on canvas, signed. Dimensions : Frame : 530mm x 683mm x 38mm. Image : 445mm x 595mm. Weight : 2.300kg net. Condition : Good.

£200.00  Shipping : UK : Free Delivery. Europe : £40.00. World : £50.00. 

Still-Life study of Michaelmas Daisies in a Bowl, impasto oil on canvas, signed Alice, c1980. Framed.

Condition/Notes : Good. The impasto oil on canvas study is in good condition with good colour and no paint loss or damage. Good example of a 20thC still-life floral study in impasto impressionistic influenced style yet offering a contemporary traditional feel. Simply signed Alice to the lower rh side of the bowl.

Displayed in a contemporary style gilt antique effect softwood frame which is in good sturdy condition. Hardboard backing board secured with points, canvas tightly secured to board, sealed with adhesive framing tape. Hanging cord attached to screw-eyes.

No visible script.

Please view images.

Still-Life Study of Potentillas, oil on board, signed Taplin. c1960. Framed. Still-Life.

Oil on board, signed. Dimensions : Frame : 410mm x 510mm x 21mm. Image : 235mm x 345mm. Weight : 1.700kg net. Condition : Good.

£150.00  Shipping : UK : Free Delivery. Europe : £20.00. World : £30.00.

Still-Life Study of Potentilla Flowers in a Green Bowl, oil on board, faintly signed Taplin, c1960. Framed and glazed. 

Condition/Notes : Good. The oil painting on board study of Potentilla flowers in a bowl is in good condition with good strong colours and no damage or marking. The flowers are in full bloom giving a wonderful display of vibrant fresh colour set against a yellow based background. The work is faintly signed in the lower rh corner TAPLIN in capital letters and a very faint date is written below. The painting is displayed within a "maple" coloured mount board which is also in good condition. The speckled gilt frame is in good condition with light wear and light scuffing to edges; backed with a sheet of hardboard and sealed with self-adhesive tape. Framed by Denis Godfrey is stamped in the lower rh corner. Remnants of a white label top lh corner with handscript Still-Life .......remaining missing. Yellow auction labels attached in places. Rings and cord attached. A very attractive oil painting study and a delight to flower lovers.

Study of a Seated Girl, A Study in Life, oil on board, titled, signed and dated verso Joan Fuller December 1971. Framed. 20thC British Outsider Art.

Oil on hardboard, signed and dated verso. Dimensions : Board : 455mm x 382mm x 3mm. Weight : 0.620kg. Condition : Quite good.

£100.00  Shipping : UK : Free Delivery. Europe : £15.00. World : £25.00. 

A Study in Life, a seated girl, oil on hardboard. 

20thC British Outsider Art. 

The oil on hardboard study is set against a white-washed ground. Condition is quite good with some marking in places. Original pencil drawing visible in places. 

Scuffing in places to the board edges. Verso is white-washed. Titled "A Study in Life" by Joan Fuller December 1971 in the upper right corner in blue pen. 

Please view the images above and below.

Contact for any enquiries.

Sunderland Lifeboat aiding fishing boats in heavy seas, oil on board, signed T. Galt 1902. Maritime.

Oil on board signed T. Galt 1902. Dimensions : Frame : 266mm x 345mm x 20mm. Image : 190mm x 270mm. Weight : 0.560kg net. Condition : Quite good.

£250.00  Shipping : UK : Free Delivery. Europe : £15.00. World : £20.00.

Sunderland lifeboat going to aid of fishing boats in heavy seas off the Sunderland coast, N.E. England, one boat sinking, oil on board, signed T. Galt 1902. Framed. 

Condition/Notes : The oil on board maritime study is in quite good condition with good colour. There are four small spots of paint loss on the stern of the sinking fishing boat in the lower rh quarter but they do not detract from the painting and have stabilized. The painting is signed T. Galt in the lower rh corner and dated 1902 below the signature.

The lifeboat station can be seen in the distance and could be the South Outlet lifeboat house which was in operation at this time. The lifeboat appears to be going to the aid of the fishing boat which has picked up the crew from the sinking boat in the foreground.

The painting is displayed within a worn gilt wooden frame which has scratching and scuffing to face and edges. Back of the frame is sealed with dust-sheet secured by gummed tape. Hanging cord attached. 

An interesting maritime scene benefitting from signature and date. 

Please view the images.

Please contact for any more info or images.

The Amalfi Coast, Italy, oil on canvas laid to board. signed Gomez, c1970.

Oil on canvas laid to board, signed Gomez. Dimensions : 547mm x 370mm x 4mm. Weight : 0.560kg net. Condition : Good.

£150.00  Shipping : UK : Free Delivery. Europe : £30.00. World : £40.00. 

The Amalfi Coast, Italy, oil on canvas laid to board, signed Gomez, c1970.

Condition/Notes: The impasto oil on canvas is in good condition with good strong colours and heavy spatula work. There is no damage to the canvas which has been gummed to the board. The work is signed Gomez in the lower lh corner. The scene depicts a view across the bay on the Amalfi coast from behind the small building. An interesting and colourful composition. The painting is unframed and will benefit from a suitable frame. The canvas is folded over the edges of the hardboard sheet. Please note the painting has not been varnished. The title "Amalfi Coast Italy" is written in handscript across the upper half of the board. This is a particularly attractive coastal region of Italy and very popular with many artists including Giovanni Barbaro who was born in Amalfi.

The Chesterfield Canal at Retford viewed from Gas House Bridge, oil on board, signed R. Fuller, titled and dated verso. 1960. Unframed. 20thC British Outsider Art.

Large oil on board, signed and titled, dated verso. Dimensions : Board : 690mm x 535mm x 4mm.. Weight : 1.560kg. Condition : Good.

£250.00  Shipping : UK : Free Delivery. Europe : £35.00. World : £45.00.

The Chesterfield Canal at Retford, viewed from Gas House Bridge, oil on hardboard, signed R. Fuller. 1960.

The large oil on hardboard study depicts the Chesterfield Canal at West Retford Nottinghamshire as viewed from the Gas House Bridge. The oil is in good condition with good colour and no damage; light surface marking in places. The painting is signed by the artist in blue pen in the lower rh corner on the lower stone. The study is dominated by the deep stark shadows cast as reflections of the sombre buildings into the dark gloomy water bordered by the vibrant aquatic vegetation. 

Verso inscribed in cream paint "Artist's name and address, painted November 1960. The Chesterfield Canal at Retford (From "Gas House Bridge")".

Note there is some light shimmer in places which doesn't exist on the actual painting. Contact for queries. 

The End of the Trail, oil on Daler board, signed verso R.B. Fuller, September 1976. Framed. 20thC British Outsider Art.

Oil on Daler board, signed, titled and dated verso. Dimensions : Frame : 221mm x 270mm x 16mm. Image : 203mm x 251mm. Weight : 0.210kg. Condition : Good.

£300.00  Shipping : UK : Free Delivery. Europe : £10.00. World : £15.00.

The End of the Trail, oil on Daler board, signed, titled and dated verso. 

The oil on board study depicts the end of a journey view of the brightly illuminated destination below and the associated elation of the achievement after a long and arduous trip. The impasto work is in good condition with no damage or losses. No visible signature to the painting but signed, titled and dated "R.B. Fuller, The End of the Trail, September 1976" verso. 

The painting is displayed within a black and gilt light wooden frame which is in good condition. The board is secured by 3 nails and 2 framing points. Signature, date and title script in blue pen as described above in upper quarter. Daler Board label with sizes (10" x 82) attached to centre. Cord attached to drawing pins.