Oil Paintings
Oil Paintings
A cold Winter landscape, oil on board, signed Joan Peet, c1975. Framed.
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Signature
Detail
A cold Winter landscape, oil on board, signed Joan Peet, c1975. Framed. Landscape.
Oil on board landscape study, signed and framed. Dimensions : Frame : 262mm x 314mm x 30mm. Image : 160mm x 212mm. Weight : 0.540kg. Condition : Good.
£120.00 Shipping : UK : Free Delivery. Europe : £20.00. World : £30.00.
A cold winter landscape study, impasto oil on board, signed Joan Peet. c1975.
The impasto oil study is in good condition with good colour and no damage.
The study depicts a winter landscape with trees and snow covered fields and a path leading to a distant copse. The scene is cold and stark and the heavy pale blue clouded sky is loaded with moisture about to become snow; an English winter captured at the point of precipitation in the late afternoon.
The location of this landscape is probably the Sleaford district of Lincolnshire as the artist is known to have connections to the area.
The painting is signed in brown paint, Joan Peet, in the lower rh corner in her usual style.
The work is displayed within a faded gilt wooden frame, deeply recessed with a cream coloured wooden inner edge surrounded by stone coloured linen. The frame is of sound construction with light scuffing in places. The hardboard base/backing board is secured by headless nails and sealed with framing tape which has detached from the board in places. Hanging cord attached to rings. No visible script.
An interesting study by this well-known English artist.
Please contact for any enquiries.
A Gypsy Girl, oil on board, signed Kathleen Bamford. c1960. Framed.
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Signature
Frame, verso.
A Gypsy Girl, oil on board, signed Kathleen Bamford. c1960. Framed. Portrait.
Oil on board, signed by the artist. Dimensions : Frame : 490mm x 390mm x 38mm. Image : 345mm x 240mm. Weight : 1.420kg net. Condition : Good.
£175.00 Shipping : UK : Free Delivery. Europe : £35.00. World : £45.00. Unframed : £15.00/£25.00.
A Gypsy Girl, oil on board, signed Kathleen Bamford. c1960. Framed in gilt composition frame with decorative moulding..
Dimensions : Frame : 490mm x 390mm x 38mm. Image : 345mm x 240mm. Weight : 1.420kg net.
Condition/Notes : Good. The oil on board study of a Gypsy Girl is in good condition with strong colour and no damage or paint loss. The artist's signature is in the lower rh corner. The artist has captured the zest and vitality of the subject in a traditional style and manner and has created a vibrant portrait which will bring enjoyment and happiness to any location.
The painting is displayed within a gilt composition frame with decorative moulding which is in quite good condition and complements the work. The frame is closed with a backing board secured by nails and sealed with 50mm gummed tape. Remnants of an old label remain in the centre of the backing board and Bamford is written in pencil on the top horizontal partly covered by the framing tape.
This work has been alternatively titled "Head and Shoulders Portrait of a Woman" at B&H auction in 2013. Origin of current inherited title is unknown.
Kathleen Bamford, born in Hull East Yorkshire 1897. Known to have attended Hull College of Art. An oil and watercolour painter. Died in 1976.
A portrait of the Handy-man, oil on Daler board, unsigned. Joan Fuller c1971. Unframed.
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A portrait of the Handy-man, oil on Daler board, unsigned. Joan Fuller c1971. Unframed. Portrait. 20thC British Outsider Art.
Oil on board portrait. Dimensions : Board : 455mm x 355mm x 3mm. Weight : 0.260kg. Condition : Good.
£100.00 Shipping : UK : Free Delivery. Europe : £15.00. World : £25.00.
Oil on board portrait of the handy-man, unsigned but known to be by Joan Fuller, c1971.
20thC British Outsider Art.
The painting is in good condition with good strong colours. There are some slight scuffs to the edges in places but these will be concealed by framing.
No script verso. Original Daler Board label attached to centre.
Please view the images above.
A Study in Life, an Elderly Lady, oil on board, titled, signed and dated verso, Joan Fuller, 1971. Unframed.
Title, signature and date.
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A Study in Life, an Elderly Lady, oil on board, titled, signed and dated verso, Joan Fuller, 1971. Unframed. 20thC British Outsider Art. Genre.
Oil on hardboard, titled, signed and dated verso. Dimensions : Board : 458mm x 383mm x 3mm. Weight : 1.600kg. Condition : Good.
£200.00 Shipping : UK : Free Delivery. Europe : £25.00. World : £35.00.
A Study in Life, an Elderly Lady, oil on hardboard. Titled, signed and dated verso "A Study in Life by Joan Fuller 1971".
20thC British Outsider Art.
The oil on hardboard is in good condition with good colour and no damage. White washed ground. An interesting study.
Verso titled, signed and dated in pen in the upper rh corner. Water staining and marking in places.
A Winter Landscape, oil on board, signed WK. (20th C British School). c1980. Framed.
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Detail
Initials WK.
A Winter Landscape, oil on board, signed WK. (20th C British School). c1980. Framed. Landscape. Genre.
Oil on board, signed initials WK. Dimensions : Frame : 410mm x 510mm x 23mm. Image : 345mm x 445mm. Weight : 1.750kg net. Condition : Good.
£120.00 Shipping : UK : Free Delivery. Europe : £25.00. World : £35.00. Unframed : £15.00/£25.00.
A Winter Landscape, oil on board, signed WK. Framed and glazed (non-reflective).
Dimensions : Frame : 410mm x 510mm x 23mm. Image : 345mm x 445mm. Weight : 1.750kg net.
Condition/Notes : The oil on board study of an isolated farm house in a winter landscape is in good condition with good colour and no damage or marking. The painting is signed in the lower rh corner, on the lower fence beam, with initials WK which are currently unidentified. The scene is cold and emphasizes the isolation of the house but there is a peacefulness to the overall study. The painting is displayed within a decorated gilt frame with non-reflective glazing and is in good condition. Verso is sealed with brown backing paper; hanging wire attached.
Arabs in Conversation in a Ruined Temple, oil on wooden panel, signed W. Muller 43. 1843.
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Signature
Detail
Arabs in Conversation in a Ruined Temple, oil on wooden panel, signed W. Muller 43. 1843. Orientalist.
Oil on wooden panel, signed and dated. Dimensions : 205mm x 165mm x 6mm. Weight : 0.220kg net. Condition : Quite good.
£1,000.00 Shipping : UK : Free Delivery. Worldwide : Free Delivery.
"Arabs in Conversation in a Ruined Temple", oil on wooden panel, signed W. Muller (William James Muller), dated 43 (1843). Labels verso.
Condition/Notes : Quite good. The oil on wood panel is in quite good condition with good colour. The study depicts a group of Arabian characters sat in conversation with hookahs and other standing figures in an Islamic style building with surrounding structures and trees probably within the confines of a mosque.
Muller spent 1843 in Lycia working with the British Government expedition so this study could well be in that region of Turkey.
There is no significant paint loss apart from a few small spots near the top edge and the upper rh edge, probably caused by abrasion from a previous frame, but there is significant craqueleur all over the painting but this is stable. The painting has been lightly varnished.
The artist's signature is in the lower lh corner in his usual manner with the date 43 below. There is a small bump at the lower lh corner of the panel and an 8mm abrasion on the upper lh edge 15mm down from the top lh corner. The panel is in good structural condition.
Verso has considerable marking from previous frame tape which has been applied and removed at various times again confirming that the painting was previously framed. There are also impression marks to the edges in places where nails have been positioned. There is stencilled in black ink across the lower quarter "4 O S B G" . In the centre is an old faded label with indistinct handscript "..................................Arabs in conversation in a ...........ruined temple William Muller £25-0-0". £25-0-0 is written again in black ink below the label. Above the label is written again the same text with a space left between "in a" ....and ..."ruined temple" for the indistinct word. William Muller written below. There also appears to be more handscript in faded blue ink below the above but it is unreadable. Any further interpretation of the script will be added.
Overall, a very interesting work of this well known Bristol School artist which ties in well with his recorded biographical details.
View the details in Orientalist Category also.
Shipping UK : Free Delivery. Worldwide : Free Delivery.
Arc de Triomphe, Paris, oil on board, unsigned. c1990.
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Detail
Frame, verso.
Arc de Triomphe, Paris, oil on board, unsigned. c1990. Cityscape.
Oil on board, Impressionist study. Dimensions : Frame : 492mm x 391mm x 20mm. Image : 392mm x 291mm.Weight : 1.600kg net. Condition : Very good.
£150.00 Shipping : UK : Free Delivery. Europe : £30.00. World : £40.00.
Arc de Triomphe, Paris, oil on board, unsigned. c1990. Framed. Impressionist study of the Parisian landmark.
Condition/Notes : This Impressionist study of the Arc de Triomphe and the Champs-Elysees is depicting a late 19th Century Parisian street scene. The condition of the painting is very good and the colours are very good. The style is typical of the age and has been well executed presenting an interesting and vibrant image of the French Capital at that time. The images are well presented and there is a sense of movement and energy in the study. This contemporary interpretation of the scene is classical in its presentation but unfortunately unsigned - at least within the visible area.
The modern style wooden frame complements the painting and is professionally fitted. The back of the frame is closed with a sheet of hardboard, secured and sealed with framing tape. Rings and cord attached. There is no visible script. An interesting and pleasant painting.
Aston Cross, Birmingham, c1950, oil on canvas, signed Guzzardi. c1975.
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Aston Cross, Birmingham, c1950, oil on canvas, signed Guzzardi. c1975. Cityscape.
Oil on canvas, signed. Dimensions : Frame : 442mm x 612mm x 22mm. Image : 310mm x 480mm. Weight : 2.200kg net. Condition : Good.
£250.00 Shipping : UK : Free Delivery. Europe : £40.00. World : £50.00.
Aston Cross, Birmingham, c1950, oil on canvas, signed Guzzardi. c1975.
Imperial : Frame : 17-1/2" x 24" x 7/8". Image : 12" x 19".
Condition/Notes : Good. The oil on canvas study of Aston Cross is based on the similar work by Eric Bottomley and is in good condition with good colour and no damage; there are a few small flecks of white paint in places in the lower rh quarter. The scene depicts the famous Birmingham landmark with the iconic Ansell's New Brewery building dominating the study and the pre-1953 tram network in operation. The main difference between this work and that of Bottomley's is the predominantly blue theme which is accentuated in this study and results in a well balanced work. The painting is signed Guzzardi in the lower rh corner and is displayed within an "antique white" mount which is in good condition with light toning to window's cut edges.
The standard antique gilt contemporary frame is in good condition with light scuffing; backing board secured with multiple points and sealed with gummed framing tape. Cord attached to backing board. No visible script.
An interesting topographical study of historical interest.
BACKWATERS, IMPASTO OIL ON CANVAS, PAINTING, SIGNED L.AYRES. FRAMED. c1980.
Signature
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Printing, serial, verso.
BACKWATERS, IMPASTO OIL ON CANVAS, PAINTING, SIGNED L.AYRES. FRAMED. c1980.
"Backwaters", an original oil on canvas signed L. Ayres and framed in gilt wood. c1980. Dimensions : Frame : 585mm x 480mm x 35mm. Image : 495mm x 392mm. Weight : 1.2kg net.
£150.00 Shipping : UK : Free Delivery. Europe : £35.00. World : £45.00. Unframed : Free Delivery.
The oil on canvas painting depicts an isolated peaceful backwater scene and is complemented by the gilt wooden frame. The artist's signature is clearly visible in the lower rh corner. The oil paint is quite thick in application i.e. impasto and there is no sign of cracking or drying.
The frame is in good condition with light scuffing. The back of the frame has hanging wire. 16 X 20 and 15- is written on the lh edge. 16 X 20 and 18- is written on the top stretcher. The canvas is stamped "This is an original work of art 45557 Unlawful to copy World Wide Art LO-17".
There is another blue ink stamp in the top lh corner with similar script. The canvas is quite taut.
An attractive painting with good soothing colours in good condition. Ready to display.
Bavarian Mountain landscape, mit schloss und fluss, oil on board, signed A. Dodsley 57 (Arthur Dodsley 1957). Framed.
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Detail
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Bavarian Mountain landscape, mit schloss und fluss, oil on board, signed A. Dodsley 57 (Arthur Dodsley 1957). Framed. Landscape.
Oil on board, Bavarian landscape, signed and dated. Dimensions : Frame : 376mm x 295mm x 20mm. Image : 338mm x 256mm. Weight : 0.600kg. Condition : Quite good.
£200.00 Shipping : UK : Free Delivery. Europe : £18.00. World : £28.00. Unframed : £10.00/£18.00.
Bavarian Mountain landscape, schloss und fluss, oil on board, signed and dated A. Dodsley 57 (1957). Framed.
The oil painting depicts a Bavarian mountain scene with a schloss and hamlet on the banks of the river. The painting is in good condition with no damage or losses but does require surface cleaning to restore the original vibrant colours - the painting may have been exposed to a smokey environment at some time. The known artist Arthur Dodsley has signed the painting A Dodsley in his usual style in the lower lh corner and the date 57 (1957) below the signature (See the images). The impasto style of the landscape is typical of the artist's work.
Displayed within a gilt decorated wooden frame which is in good condition. The board base is secured by old rusty nails and sealed with Kraft type dust-sheet gummed to the frame. Old auction house reference labels attached but no name. Hanging wire attached to screw-eyes.
Belvoir Castle from the Vale of Belvoir, oil on board, signed Sam Burden. Framed. c1985.
Signature
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Detail
Castle from the Vale of Belvoir, oil on board, signed Sam Burden. Framed. c1985. Landscape.
Oil on board, signed by the artist. Dimensions : Frame : 862mm x 700mm x 40mm. Image : 740mm x 583mm. Weight : 4.000kg net. Condition : Good.
£450.00 Shipping : UK : Free Delivery. Europe : £50.00. World : £80.00.
Belvoir Castle from the Vale of Belvoir, oil on board, signed Sam Burden. c1985.
Condition/Notes : The painting is in very good condition with good colour and no damage. The scene depicts Belvoir Castle on the hill as viewed from the Vale of Belvoir between Nottinghamshire and Leicestershire with a typical farmhouse in the foreground and a spectacular tree which dominates this autumnal scene. The work is fairly typical of the artist with much detail and the isolated vista lying beneath the spectacular sky. The painting is signed in the artist's usual manner in the lower rh corner and the work is displayed within a fabric and gilt lined wooden frame.
The frame is lightly painted cream colour and is in good condition but with some scuffing to the edges in places. The backing board is nailed in position and sealed with gummed framing tape. The remnants of a label are attached in the top rh corner and handscript below states "Vale of Belvoir" Oil with the artist's name and address in Newark Notts. A gallery style hanging device is attached at top centre and screw-eyes and wire also attached. The frame is heavy and international buyers may consider shipping the painting unframed - please contact me for shipping options.
Boat-yard on the Thames Estuary, oil on board, signed P.M. Arnold, c1980. Framed.
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Detail
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Boat-yard on the Thames Estuary, oil on board, signed P.M. Arnold, c1980. Framed. Maritime.
Oil on board, signed by the artist. Dimensions : Frame : 646mm x 396mm x 25mm. Image : 586mm x 336mm. Weight : 1.140kg net. Condition : Good.
£150.00 Shipping : UK : Free Delivery. Europe : £20.00. World : £30.00. Unframed : £10.00/£20.00.
Boat-yard on the Thames Estuary, oil on board, signed P.M. Arnold. c1980. Framed.
Condition/Notes : The oil on board study of a boat-yard on an estuary is in good condition with no damage. The scene depicts a boat-yard with work being carried out on a boat and the choppy waters looking across to the distant shore. Several small boats are at moorings and the sky is overcast in a typical English autumnal afternoon. Said to be near Sheerness on Thames Estuary. The painting is signed by the artist in the lower rh corner.
The gilt wooden frame is in satisfactory condition with a few small chips along the edges and general usage wear. The frame is backed with a sheet of hardboard secured by headless nails and sealed with 25mm gummed framing tape. Screw-eyes and cord attached.
British Clipper Ship "Cutty Sark" under way, oil on canvas, signed Rob Milliken 1966.
Signature, date and title.
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British Clipper Ship "Cutty Sark" under way, oil on canvas, signed Rob Milliken 1966. Maritime.
Oil on canvas, signed Rob Milliken 1966. Dimensions : Frame : 610mm x 710mm x 50mm. Image : 495mm x 600mm. Weight : 2.750kg net. Condition : Good.
£200.00 Shipping : UK : Free Delivery. Europe : £40.00. World : £50.00.
British Clipper Ship "Cutty Sark" under way, oil on canvas, signed Rob Milliken 1966. Framed. Ship Portrait.
Condition/Notes : The oil on canvas study of the British Clipper Ship "Cutty Sark" is in good condition with good colour. There is a small area of stabilized paint loss 55mm long by 10mm - 1mm in the top lh corner along the edge but this is not noticeable and blends into the cloudy sky. There is also a degree of stabilized light craqueleur to the paint surface in places but again this is not noticeable. The style can be described as impasto although this is particularly applicable to the sea-horses and full-sails and to a lesser degree the clouds. The painting is signed Rob Milliken 66 in the lower lh corner and titled "Cutty Sark" in the same hand.
The original, heavy, white painted, wooden frame with inner fabric surround is in quite good condition with scuffing and scratching in places. The stretcher is nailed to the frame and the canvas stapled in places; "Cutty Sark" is written in pencil top lh corner of the canvas with artist's signature and Oct 1966 below. Old cord attached.
This is an early work prior to his conversion to traditional Egg Tempera medium in 1991.
Capri Viewed from Sorrento Peninsula, oil on canvas, titled Capri and signed Costanzi. c1920.
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Signature
Detail
Capri Viewed from Sorrento Peninsula, oil on canvas, titled Capri and signed Costanzi. c1920. Maritime.
Oil on canvas, titled and signed. Dimensions : Frame : 325mm x 380mm x 35mm. Image : 205mm x 260mm. Weight : 1.200kg net. Condition : Quite good.
£275.00 Shipping : UK : Free Delivery. Europe : £20.00. World : £30.00.
Capri Viewed from Sorrento Peninsula with Fishing Boat at Dusk, oil on canvas, titled Capri and signed Costanzi (Nicola Costanzi). c1920. Framed and glazed.
Imperial : Frame : 13" x 15" x 1-1/4". Image : 8" x 10-1/4".
Condition/Notes : Quite good. The impasto oil on canvas study of Capri is in quite good condition with good colour; there are two small areas of paint loss - 2mm x 1mm to rh side of the boat and 3mm x 2mm in the sky top rh corner. These two areas of loss are very small and unnoticeable as the colour of the canvas support blends in with the ambient colours. The study is a popular view of Capri as seen from the Sorrento Peninsula but is particularly attractive with the moonlight at dusk reflecting on the sea giving a sense of motion to the incoming light swell; the fishermen in the boat add another interest to the scene. The impression of the stretcher can be lightly seen at 15mm from the edges of the painting and another horizontal line about 3mm from the upper edge. The painting is signed in paint Costanzi and titled Capri lower rh corner. Displayed within a gilt painted spacer which is secured to the outer wooden glazed frame which has brass decorated veneer attached to face. The canvas support is nailed to an old wooden stretcher and attached to the spacer by a screw each side; edges around stretcher sealed with gummed brown paper. No visible script. Screw-eyes and wire attached. Two small white reference labels attached. The glazing is clear although there is dusting and marking between glazing and spacer which can be cleaned by removing the spacer.
Overall, an interesting and attractive painting by this listed Italian artist.
Clipper Ship in Following Sea, oil on board, signed P.E. George. c1950.
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Detail
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Clipper Ship in Following Sea, oil on board, signed P.E. George. c1950. Maritime.
Oil on board, signed. Dimensions : Frame : 480mm x 735mm x 43mm. Image : 350mm x 600mm. Weight : 3.000kg net. Condition : Good.
£175.00 Shipping : UK : Free Delivery. Europe : £35.00. World : £45.00. Unframed : £15.00/£25.00.
Clipper Ship in a Following Sea, oil on board, signed P.E. George, c1950. Framed.
Condition/Notes : Good. The oil on board work depicts a classical clipper ship in a following sea with white-horses. There is no damage to the painting and the colours are good with no paint loss. The painting emphasizes the elegant sleek design of the ship as she glides unhindered through the breaking waves and rolls majestically to the swell of the ocean. Several crew members can be seen on deck as a wave breaks over the port midships. The clouds are reflecting the setting sun and this is caught by the rigging and taut canvas. The painting is signed P.E. George in the lower rh corner. The heavy wooden frame is in fair condition with scuffing to the face and edges revealing previous coats of pale green paint. The board base is nailed in several places to the frame and has been covered with a faded decorated paper backing sheet which is torn and detached in places. Two old rusty hanging rings are attached. No labels or script. The painting will benefit from reframing. Framed or unframed shipping options available.
Coastal Scenes of Capri, a Pair, oil on panels, signed G. Esposito. c1900.
View 1st of pair.
View 2nd of pair.
Signature on 2nd.
Coastal Scenes of Capri, a Pair, oil on panels, signed G. Esposito. c1900. Maritime.
Oil on panels. A pair. Dimensions : Frames : 146mm x 197mm x 12mm. Images : 120mm x 170mm. Weight : 0.230kg net. Condition : Good.
£300.00 Shipping : UK : Free Delivery. Europe : £12.00. World : £18.00.
A Pair of Coastal Scenes of Capri, oil on panels, signed G. Esposito, c1900. Framed.
Condition/Notes : Good. A matching pair. (1) Coastal scene with I. Faraglioni in the background. The oil painting on panel is in good condition with good colour. This scene is popular with many artists. The painting is signed in the lower lh corner in the artist's usual manner and titled Capri in the lower rh corner, partly obscured by the frame. The plain wooden frame is in good condition with gummed framing tape verso and recently renewed hanging cord and screw-eyes. It appears the older backing which remains on the other of the pair has been removed on this frame. (2) Coastal scene with walkway and figure. The oil on panel is likewise in good condition with good colour. The artist's signature is in the lower lh corner and the title Capri is in the lower rh corner. The plain wooden frame is also in good condition and has a backing card with rings attached and an old cord, secured by old rusted nails. Sealed with gummed framing tape. The paintings are a complementary pair and present a pleasant study of coastal Capri.
Continental landscape, Mountains and Lake, oil on canvas, signed Palini, c1970. Framed.
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Continental landscape, Mountains and Lake, oil on canvas, signed Palini, c1970. Framed.
Oil on canvas, laid to board, signed. Dimensions : Frame : 265mm x 320mm x 23mm. Image : 195mm x 250mm. Weight : 0.660kg. Condition : Good.
£100.00 Shipping : UK : Free Delivery. Europe : £15.00. World : £25.00.
Landscape study of Continental Mountain and Lake viewed from shore. Oil on canvas, laid to board, signed Palini, c1970.
The painting is a study of a snow covered mountain across the lake from the artist's location; surrounded by pine trees. Signed in the lower rh corner, Palini, in white paint.
The painting is in good condition and with good colour.
The canvas base is laid to board and displayed within a Contemporary gilt wooden frame with light decoration to the edges. The board is secured by staples and sealed with framing tape. No visible script. Hanging cord attached.
A pleasing landscape, ready to display.
Conversation, oil on board, signed W. A. Draysey, 1970. 20th C Israeli School.
Signature and date.
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Detail
Conversation, oil on board, signed W. A. Draysey, 1970. 20th C Israeli School.
Oil on hardboard, signed and dated. Dimensions : Frame : 525mm x 400mm x 28mm. Image : 490mm x 360mm. Weight : 0.980kg net. Condition : Good.
£350.00 Shipping : UK : Free Delivery. Europe : £30.00. World : £40.00.
Conversation, oil on board, signed W. A. Draysey, 1970. Framed. 20th C Israeli School.
Imperial : Frame : 20-3/4" x 15-3/4" x 1". Image : 19-1/4" x 14-1/4".
Condition/Notes : Good. The oil on hardboard study of a conversation between a gentleman and an Israeli businessman with the proprietor watching over, is in good condition with good colour and no damage or paint loss. The scene is austere and the environment minimalist with the conversation the only point of the study although the watching figure brings an element of intrigue into the composition. Impasto work emphasizes the harshness of the structures surrounding the figures and adds a sense of decay and insecurity to the scene reflecting the unseen environage beyond. The painting is signed in the lower rh corner and dated 1970. Original plain recessed wooden frame ; hardboard base nailed in position. Screw-eyes and cord attached.
An interesting and unusual study by this Israeli artist.
Dinard, Bretagne, landscape, oil on panel, titled and signed G - P Guinegault, 1923. Framed.
Title and signature.
Detail
Frame, verso.
Dinard, Bretagne, landscape, oil on panel, titled and signed G - P Guinegault, 1923. Framed.
Impasto oil on wooden panel, titled and signed. Dimensions : Frame : 360mm x 270mm x 17mm. Image : 320mm x 230mm. Weight : 0.340kg. Condition : Good.
£300.00 Shipping : UK : Free Delivery. Europe : £20.00. World : £30.00. Unframed : £10.00/£15.00.
Dinard, Bretagne, Ille-et-Vilaine, northwest France, landscape, impasto oil on wooden panel, titled and signed G - P Guinegault, 1923. Original frame.
The oil on panel study depicts an ocean view, beach and distant coast-line as seen from a discrete shadowed location on an isolated bay. The impasto painting is in good condition with good colours and no damage or marking. Titled and signed in faint black paint in lower lh corner "Dinard Bretagne G - P Guinegault". Known to have been painted in 1923.
The painting is displayed in the original unglazed gilt wooden frame which is in good condition and complements the colours of the painting. The panel is secured by three old nails. Faint ink stamp to upper lh corner "Lucien Lefebvre-Foinet, 19, Rue Vavin & 2, Rue Brea - Paris" (the Art Supply company). Small yellow auction house label attached upper centre with ref number. Hanging cord attached to screw-eyes.
An interesting study by this well-known French artist.
Please view the images and contact for any enquiries.
English Country Scene with Horses and Figures, oil on board, signed A. Allen. c1920.
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Detail
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English Country Scene with Horses and Figures, oil on board, signed A. Allen. c1920. Landscape.
Oil on Birchmore Board, signed, undated. Dimensions : Frame : 231mm x 322mm x 34mm. Image : 135mm x 225mm. Weight : 0.780kg net. Condition : Good.
£80.00 Shipping : UK : Free Delivery. Europe : £15.00. World : £25.00.
English Country Scene with Horses and Figures, oil on Birchmore Board, signed A. Allen. c1920. Glazed oak frame.
Imperial : Frame : 9-1/8" x 12-3/4" x 1-3/8". Image : 5-3/8" x 8-7/8".
Condition/Notes : Good. The oil on Birchmore Board study of an English Country Landscape with Horses and Figures is in good condition with good colour and no damage. The painting is signed A. Allen in the lower rh corner but is undated; based on similar works by this artist this work is estimated c1920. The glazed machine carved oak frame is in good condition with light scuffing to edges. The Birchmore Board base is secured by several old nails and the original dust-sheet has been removed at some time leaving the centre section still gummed to the board obscuring the manufacturer's stamp; George Rowney's Birchmore Board was popular at the turn of the century. Old screw-eyes attached.
English landscape, oil on board, signed Alice Y Owen, c1920. Framed.
Signature
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Detail
English landscape, oil on board, signed Alice Y Owen, c1920. Framed. Landscape.
Oil on board. Framed. Dimensions : Frame : 251mm x 300mm x 23mm. Image : 192mm x 244mm. Weight : 0.600kg. Condition : Good.
£120.00 Shipping : UK : Free Delivery. Europe : £15.00. World : £25.00. Unframed : £8.00/£18.00.
English landscape, oil on board, signed lower lh corner Alice Y Owen, c1920. Framed.
The signature is somewhat obscure and could be Alice Yowen as the Y is capital letter and the O is smaller although there is a space between. See the images.
Condition/Notes : Good. The oil on board painting depicts an English landscape with ploughed field and distant trees below a sultry evening sky. Signed in pale blue paint in the lower lh corner. No damage or paint loss.
A pleasing work.
Displayed in machine carved hardwood frame which is in good condition with very light scuffing. Painting secured by cracked backing board and headless nails. Old cord attached to screw-eyes.
Please view the images above. Any enquiries welcome.
Family Conversation on Street leading to Al-Azhar Mosque Cairo, oil on canvas, signed and dated Max Arnold 1922. Unframed on stretcher.
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Family Conversation on Street leading to Al-Azhar Mosque Cairo, oil on canvas, signed and dated Max Arnold 1922. Unframed on stretcher. Orientalist. (See more in the Orientalist Category)
Oil on canvas Egyptian street scene, signed and dated. Dimensions : Stretcher/Image : 1020mm x 412mm x 21mm. Weight : 1.860kg. Condition : Quite good.
£300.00 Shipping : UK : Free Delivery. Europe : £40.00. World : £50.00.
Family Conversation on a Street leading to Al-Azhar Mosque, Cairo, Egypt, oil on canvas nailed to wooden stretcher, signed Max Arnold, dated 1922.
The oil on canvas orientalist study is in quite good condition with quite good colours. There is general surface dust accumulation and light spot/marking in places, particularly the sky area. This will benefit from general cleaning. There are also a few small tears to the canvas support, the largest being a 20mm vertical tear on the lower edge to the lh side of the signature and a 6mm wide tear on the ankle of the seated figure; the remainder being very small surface holes which are not noticeable in normal viewing. The painting is signed Max Arnold in brown paint with the date 1922 below the signature.
The study is particularly interesting depicting the Haret el Yahood quarter of Al-Azhar district in the 1920's with typical hanging sunshade awnings above the small stores and work-shops. The scene is dominated by the minaret of the Al-Azhar mosque and the shadow of the dome, with birds in flight around the balcony.
This work is in Max Wechsler Arnold's pre-impressionist style, confirmed by the dated signature 1922, prior to his influence by the German Expressionist movement following his graduation in 1920 at the Fine Arts School in Iasi Romania. He travelled in Europe and the Orient before studying in Germany and Italy where he changed his style. He was born and died in Romania although he worked all over Europe and the Orient. He is known to sign his work Max W. Arnold, Max Arnold, Max Wechsler, Arnold and Max Wexler.
The painting is nailed to the original wooden stretcher which has framer's pencil script in places.
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Please view more info and images in the Orientalist Category.
Fujiyama at Sunset from Shizu-ura, oil on board, signed Shou-yama c1950.
Signature and seal.
Detail - Fujisan.
Detail
Fujiyama at Sunset from Shizu-ura, oil on board, signed Shou-yama c1950. East Asian. (See more images and info in East Asian Category)
Oil on board, titled and signed. Dimensions : Frame : 529mm x 641mm x 33mm. Image : 388mm x 498mm. Weight : 2.800kg net. Condition : Good.
£750.00 Shipping : UK : Free Delivery. Europe : £50.00. World : £60.00. Unframed : £10.00/£20.00.
Fujisan at Sunset from Shizu-ura, oil on board, signed Shou-yama c1950. Framed.
Condition/Notes : Good. The oil on board study of Fujiyama at Sunset viewed from the beach at Shizu-ura is in good condition with good colours and no damage. There is a slight surface crease to the base which runs horizontally from above the lh side of the peak in the sky down intermittently to the mid-lower edge of the painting but it is not noticeable in normal viewing. The scene is a very popular view of Mount Fuji from the coastal resort of Shizu-ura and captures the often seen over-hanging Japanese pine tree from the cliff above the beach; the setting sun illuminates the snow-capped peak of Fujisan and illuminates the distant blue haze on the lower slopes of the volcano. An iconic sacred image listed in the World Heritage List and worshipped throughout Japan; at 3776m Mt. Fuji is the highest mountain in Japan.
Titled Shizu-ura in the lower rh corner and signed with the seal of artist Shou-yama below the title.
The painting is displayed in the original heavy ebonized frame with gilt wood slips; marking and scuffing to the edges and some areas of missing moulding/veneer revealing the wooden frame beneath. Heavy wooden backing board secured with numerous old rusting nails sealed with gummed tape which has torn and desiccated in places. No visible script. The backing board does not appear to have been removed as much of the original gummed tape is still sealed and unbroken hence there is a possibility of script within.
Note there is some marking on the inside of the glazing.
An interesting study in traditional style of this iconic subject.
See more info/images in East Asian Category.
Girl in Distress, oil on canvas, signed Prabhas, unframed. c2015.
Signature
Detail
Detail
Girl in Distress, oil on canvas, signed Prabhas, unframed. c2015. South Asian.
Oil on canvas, unframed. Dimensions : 210mm x 170mm. Condition : Good.
£100.00 Shipped from India. Contact for shipping charge.
Girl in Distress, oil on canvas, signed Prabhas, 2015.
Condition/Notes : Good. The oil on canvas is in good condition with good colour. Signed Prabhas, Jharkhandi contemporary artist. Captures the intense colour and vibrancy of Jharkhand art.
Please view images. Contact for any enquiries.
Painting offered by Ranchi Art & Antiquarian Books, Ranchi, Jharkhand, India. Please note this item is "Ranchi Stock".
Painting available directly from Ranchi Jharkhand. Please contact for shipping charges Worldwide.
This painting will be dispatched from India.
Can be framed if required.
Great Yarmouth Fishing Vessel Paradox YH951 at sea, oil on board, signed DJ Colman, c1960. Framed.
Signature
Detail
Detail
Great Yarmouth Fishing Vessel Paradox YH951 at sea, oil on board, signed DJ Colman, c1960. Framed. Maritime.
Oil on board ship portrait, signed. Dimensions : Frame : 558mm x 456mm x 17mm. Image : 500mm x 397mm. Weight : 2.200kg. Condition : Good.
£175.00 Shipping : UK : Free Delivery. Europe : £35.00. World : £45.00. Unframed : £12.00/£18.00.
Oil on board ship portrait of Great Yarmouth fishing vessel "Paradox" YH951 at sea.
Fishing Boat Heritage website refers only to fv Paradox II YH710 (1910-39) which places this vessel to pre-1910. No references to this vessel found to date but will be updated if possible.
The oil on board study depicts the fishing vessel in moderate seas with the crew working on deck; full sails and gulls in attendance, house flag flying.
The painting is in good condition with good strong colours; no damage or losses. The artist has signed DJ COLMAN in the lower lh corner in white paint.
Displayed in original machine carved, decorated, gilt softwood, glazed frame which is in good sturdy condition with marking and scuffing in places. Heavy card backing board secured by nails and sealed with adhesive framing tape. Brass hanging lugs attached at upper and lower centre edges. No visible script. White paint splashes in places to the board.
An interesting study of fv Paradox.
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